Condivi michelangelo biography
About the Author. Ascanio Condivi Ascanio Condivi ( – 10 December ) was an Italian painter and writer. Generally regarded as a mediocre artist, he is primarily remembered as the biographer of Michelangelo.
Ascanio Condivi was a young pupil Ascanio Condivi () was an Italian painter and writer. Generally regarded as a mediocre artist, he is primarily remembered as the biographer of Michelangelo. He was born in the town of Ripatransone in the Marches. He moved to Rome in circa , where he made the acquaintance of Michelangelo, becoming, it seems, a protg of the master.
Ascanio Condivi was a young A painter in his own right, Condivi is perhaps best known as Michelangelo's biographer. Writing in part as a response to Vasari's account of the artist's life, Condivi had the benefit of working closely with Michelangelo on his manuscript.
On this account he His biography of Michelangelo to a large extent is based on the artist's own words, tells the story of his life, his relationship with his patrons, his objectives as an artist, and his accomplishments, forming the basis of a biography that has been central to the study of Michelangelo for four centuries.
Condivi's "Life" is an impassioned
Ascanio Condivi was a young pupil and assistant of Michelangelo's who gained the trust and confidence of the great artist. His biography of Michelangelo to a large extent is based on the artist's own words, tells the story of his life, his relationship with his patrons, his objectives as an artist, and his accomplishments, forming the basis of a biography that has been central to the study of.Painter and purported author of Vita Di Michelangelo Buonarroti by Ascanio Condivi. Publication date Usage Public Domain Mark Topics bub_upload Collection europeanlibraries.
Condivi's unparalleled biography presents his Despite such an encomium, Michelangelo was not entirely pleased and arranged for his assistant Ascanio Condivi to write a brief separate book (); probably based on the artist’s own spoken comments, this account shows him as he wished to appear. After Michelangelo’s death, Vasari in a second edition () offered a rebuttal.
Generally regarded as a mediocre biography Condivi (–74) drew extensively on his personal friendship with Michelangelo. Subsequently Vasari (–74) absorbed not only much of Condivi’s biography wholesale, but also exploited the source which best substituted the sculptor’s living voice, namely his letters from Michelangelo, for the considerably expanded vita.